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In press shunga were produced during the 17th and 18th Century emphasis of the images was an expression of excitement lust, and love showing sex on the basis of volutary by both partners. However, late 18th century erotic images that depict the ever changing slowly involuntary sex, in most cases showing hairy ugly men forcing themselves on young innocent girls. Folowing designs are ten rape wonderful examples of this specific topic:
Koryusai - Falconer This design by the great chuban Isoda Koryusai pioneer (act. 1770-1780s) from prosperous celebrated "his Flowers of the Twelve Elegant Seasons" published in 1772-1773 was the first Japanese woodblock print depicting rape. This image is associated with the eight month and shows a hunter Hawk forced down a young girl on the ground between grass and clover japanese. Koryusai using a tone of grim and lurid the use of colors which, along with wild clover symbolizes entrapment clawing perfect girl.
Hokusai - retard Katsushika Hokusai (1760-1849) offers a rape scene in oban-comedy format of the next in his masterful series' Fukujuso '(Aka.' lovemaking in the New Year 'and' Plant) "Adonis published ca. 1822-1823. Described is a clown and obviously retarded-bath house attendant who assaulted a girl he had lusted to for long. He is holding a coin in his ear, as was the custom of the footmen who do not own a purse. A scene similar can be found in Hokusai's 'Kino-Komatsu's no' (Pining for Love), which is somewhat less comical.
Kunisada - Woman binded This horrifying scene from) Kunisada's Spring (1786-1865 Utagawa, Summer, Autumn and winter, the prospects for Four Seasons-'seri (late 1820s), the victim women being crucified and the wings of a wooden stick with arms tied behind her back. What increases the drama is in addition to location, somewhere deep in a forest, the fact that her tormentor was purposely planned his crime of violence leaving no way to escape.
Kunisada - Fox fires in another design by Kunisada portrays rape three palanquin bearers holding untractable Ocho, a girl Karakotoya brothel owner in the land. Setting is soothing surroundings Kurosuke Inari shrine. - 'Fox lights' (fox-fire) indicate the presence of fox spirits. This illustration book is by 'Shunshoku Kunisada hatusne without ume' (Erotic Adventures of the six women) by 1842.
Shigenobu - gang rape 1789-1833) oban Shigenobu's (Yanagawa design by 'Yanagi no Arashi' (The wind in the Willows) includes four carrier palanquin struggling to hold down a frantic woman. One of the men (second from left) sports a few tattoos on detailed both arms (in this picture almost invisible). The woman is kicking and resisting strongly, but it means that he can be in control here.
Kuniyoshi - Candle In the rape scene by Utagawa Kuniyoshi's famous (1797-1861) from the book 'NEW Byokei goyoshi ga' (c.1830), three men in a dark room to have overpowered a woman. Main man, who is wearing glasses, is his penetrating injuries, while maintaining a candle. It is whispered among the slaves of shunga that this man is really Kuniyoshi himself.
Hokusai - palanquin bearer By series shungabook 'Manpuku Wagojin' (gods of intercourse) which Hokusai designed in 1821 that rape scene depicts two carrier palanquin (again!) about to rape a courtisan (prostitute). Man holding her from behind has a violent grip on her neck, while at the same time licking her page.
Utamaro - Attempted Rape In 1788 one of the masterpieces (1754-1806) Utamaro's most important early 'Utamakura' (Poem of the Pillow) appeared in a series consisting of 12 horizontal album release. Design misogynistic about this group is one of the scenes more dramatic with a plebeian maiden being attacked by a middle-aged workers, while fighting with all its power. The two protagonists are placed on a dark background, which raises gray dramatic effect.
Eiri - Lake (Act. 1789-1801's Eiri) 'Fumi Chokyosai not kiyogaki '(Models of calligraphy), dated 1801, is considered to be one of the boldest sets oban size shunga-known. It contains thirteen instead of twelve common designs and is almost entirely inspired by 'Utamakura of Utamaro '. Also this print (see Utamaro - Attempted Rape), which is, in comparison with the classic Utamaro, a the comic rendition of a middle aged stooge trying to seduce a girl servant forced to stay same.
Hokusai - Post-rape Scene 'Gods of Intercouse'-series is focused on tales of the two courtisans Otsubi Osana and who are different social backgrounds. In this case, Osana, the daughter of a wealthy merchant, was made after a group rape. It is only, set against a tree and looks like it strangely satisfied by this brutal experience, which is highlighted by the number of scarves around her. Tousled hair shows its twisted nature and is a sign that it will come to a bad end. It remains one of the rape scenes most intriguing in the history of Ukiyo-e shunga.
This list does not include the famous Hokusai 'Gruaja'-Fisherman's Dream design and design Utamaro Kappa rape by his poem of the series-Pad (Both are described in my article Other "10 evocative Shunga Erotic Woodblock Print"!) Because these scenes depict fantasies of female protagonists and are not involved in an unintentional basis.